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It is the ideal way to celebrate the musician and civil rights activist, and the ideal gift for a music fan of any walk. Cost: $135SAY CHEESE: This one might give an audiophile a heart attack, but that doesn't make it any less adorable. The “Turntable Cheese Board" from Uncommon Goods is exactly what it sounds like — a cheese board designed to look like the most expensive, slick turntable, featuring a slate platter and hidden slicer in the one arm. Cost: $78HEAR IT LOUD: There's never a wrong time to upgrade headphones — in fact, it makes for a great gift. Cost: $47K-POP COOL: Far too often, holiday gift guides — even those specifically catering to music enthusiasts — fail to account for dedicated, artist-specific fandoms.

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☆ The Cure’s Lol Tolhurst lovingly reflects on the goth subculture in his new book
▼ + stars: | 2023-10-11 | by ( Scottie Andrew | ) edition.cnn.com time to read: +10 min

Goth is for everyone, Tolhurst writes, and it’s not a “phase” one has to outgrow. “My life in Goth served as a kind of communal reverse meditation,” Tolhurst writes. Part of what appealed to Tolhurst in goth, and why he continues to consider himself goth, is its “inclusive philosophy,” he said. As long as they could pay cover and were old enough to enter, they were welcomed, Tolhurst writes, whether they were dressed in a blazer or black leather. Tolhurst writes about the crushing death of Ian Curtis of Joy Division in "Goth: A History."

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For Lol Tolhurst, co-founder the influential “goth” band The Cure, it's all of the above. He explores what he calls “the last true alternative outsider subculture” in a new book titled, “Goth: A History,” published late last month by Hachette. From there, the book dives into gothic literature and the French existentialists, whom Tolhurst considers formative to the subculture. LA was also home to the psych rock band the Doors, who were the first group described as “gothic rock" — by critic John Stickney in 1967. Elsewhere, he draws connections between goth and Catholicism, a relationship Tolhurst believes goes beyond a shared iconography and morbidity.

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